I put together this little mash-up of cool sims, avatars and very nice animations. I may use these concepts in collaborations with dancers coming up too.

“Nataraja is both the destroyer and the creator of the universe. He dances away the destruction of a world of illusion followed by the creation of a world of enlightenment.”

I recommend you also go to the YouTube site and see the high def version – it is worth it!

Second Life – THE GREAT DANCE “Myth of Creation through Avatar Dance” A FILM BY GARY HAZLITT (all choreography and avatars played by Gary Hazlitt)

Machinimatography, Music & Editing © GARY HAYES 2008.

If you want even better quality and hear the ‘cool’ music in stereo then download (medium rez) 64MB MP4 from here

SPECIAL THANKS TO:

• Bettina Tizzy’s NPRIL npirl.blogspot.com & Alpha Auer for locations inspiration
• Animations (some): Sine Wave & Abramination
• Avatars (some): Grendel’s Children, June Dion
• Music: Spectrasonic’s Omnisphere & Logic. Specially composed GARY HAYES

UPDATE: This video also premiered at Moves09, one of the leading Dance/Film festivals in UK in April and featured for 3 months in the Second Life, Linden Lab Machinima Showcase site.

OH AND MACBETH

Also threw together this nice video of a sim creation I was involved with very early on but was since developed by the folk in the credits after the video.

A ‘Space Navigator’ Machinima and Music by Gary Hayes. Filmed and edited by Gary Hayes.

(Note: This film does not demonstrate the many interactive elements, social intentions or literary integration. Please visit the island to see those first ‘virtual’ hand.)

A medium resolution (98MB MP4) download is available here.

Macbeth in Second Life Credits. Guide & credits here

SLURL – http://slurl.com/secondlife/Macbeth/44/54/54

A collaboration by Angela Thomas, Kate Richards and Kerreen Ely-Harper, from an original idea by Kerreen Ely-Harper.

• Producer: Kate RIchards (Nini Dubrovna)
• Director: Kereen Ely-Harper (Dorothy Porta)
• Virtual World Content Designer: Angela Thomas (Anya Ixchel)
• SL Design Consultant: Adam Nash (Adam Ramona)

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

Initial stages of this project were mentored and developed through the Laboratory for Advanced Media Production (LAMP) at Australian Film TV and Radio School (AFTRS).

This project has been funded and built by the New Media Consortium

NMC Team:
Larry Johnson (Larry Pixel)
Alan Levine (CDB Barkley)
Rachel Smith (Ninmah Ash)
NMC Second Life Building Team:
Chris Holden (CJ Carnot)
Beth Satchjen (Stella Costello)

Voiceover Actors:
Maggie Blinco
Boris Brkic
Christopher Morris
Ophelia Of The Spirits
Alice Parkinson
Evelyn Parsonage
Recorded at Megaphone Studios
Engineer: Shane Fahey

Additional thanks to:
Larry Johnson
Therese Fingelton
Gary Hayes
Jeff Wegener
Ian Waddely
Nick Noakes

A well known track from the album was wisely left off by Director Debbie Trilling due to it’s popularity but while I was putting together this ‘mash-up’ compilation I tried a recording of the reunion performance of the Comfortably Numb at Live 8 a few years ago and was entranced by the synergy of visual and song. Hope you do too. Credits after the embed of my film below.

Medium quality (90MB MP4) download available here. Worth playing full screen with the volume up and the lights down

SECOND LIFE – THE WALL V-2 FILM

A special long form promo edit of the Live Virtual Show…Machinimatography & Editing: GARY HAZLITT

SECOND LIFE – THE WALL V-2
Creative Director: DEBBIE TRILLING Producer: VELAZQUEZ BONETTO

Special thanks for valuable contributions from: Haven Colville, Scio Kamanchi, Gypsy Paz, Lyddyn Tzara, Celeste Moonlight, DJ Jenns, windyy Lane, NMC Campus and George W Bush and, of course, Pink Floyd’s incredible album ‘The Wall’

Song selected for this compilation by Gary Hazlitt, The ‘Live 8′ Version COMFORTABLY NUMB (please note: not featured in the live show)

Creative Director: DEBBIE TRILLING
Producer: VELAZQUEZ BONETTO
Wall Design and Build: ELFOD NEMETH
Animated Puppets: DUGGY BING
Animations: CARAVAGGIO BONETTO
Original Music: JUNIVERS STOCKHOLM & JOSINA BURGESS
Stills Photography: ADEC ALEXANDRIA
Dancing & Joyfulness: KLUTE CUPPLOA & SOUTHERN RIPTID

Filmed & Edited: GARY HAZLITT © JustVirtual.com 2008

SECOND LIFE – THE WALL V-2 FILM “Mother Should I  Trust the Government” Full 43 Minute Version Available Soon

I was asked by Debbie Trilling, the creative director of this show, to be the machinimatographer on the last two performances of Pink Floyd’s The Wall in Second Life recently. It was great listening to music I remember growing up with being performed by a passionate group of people from all over the world who recreated elements of the film, animated sequences and live show in one of Second Life’s most spectacular displays of creative coordination. It was created by The Cybernetic Art Research Project CARP.

There were audiences of 60+ crammed into the NMC sim which slowed things down a touch, but not noticeably (I was still getting 15 fps or so ). I have a lot of footage to edit into a short 10 minute and the longer full 90 minute film but for now I selectively scanned the footage for interesting frames and created 107 medium resolution photographs which capture a little of the atmosphere and thought put into this.

The performances have  received rave reviews over the past few weeks and over 2000 avatars have now seen the show…

• “Amazing. Not so much viewed as it is experienced” ~ Metaverse Messenger
• “All I can say is WOW. GREAT show” ~ Second Arts
• “Nothing short of spectacular. A complete immersion” ~ Looking Glass
• “Impressive, touching and thoughtful. Second Life at its best” ~ MixedRealities
• “Never seen anything like it.20A perfect amalgamation of creativity” ~ sl-newspaper
• “Cutting edge art and performance” ~ NMC Observer

Stills (on this page and on flickr link here) – Taken from Gary Hazlitt’s Machinima of CARP’s “The Wall in Second Life” – video available soon. Stills medium ‘video’ resolution.

Production Credits

The CARP Wall Team:

• Creative Director: Debbie Trilling (UK)
• Producer: Velazquez Bonetto (Germany)
• Wall Design: Elfod Nemeth (UK)
• Animated Puppets: Duggy Bing (US)
• Animations: Caravaggio Bonetto (Austria)
• Original Music: Junivers Stockholm (Sweden) & Josina Burgess (Holland)
• Stills Photography: Adec Alexandria (UK)
• Dancing & Joyfulness: Klute Copploa (France), Southern Riptide (US)

with valuable contributions from:

• Scio Kamanchi (US)
• Gypsy Paz (US)
• Lyddyn Tzara (US)
• Celeste Moonlight (US)
• DJ Jenns (UK)
• George W B ush (US)

The Cybernetics Arts Research Project – SECOND LIFE – THE WALL V-2

Performed live in front of a audience at the New Media Consortium West sim in Second Life.

• Creative Director: DEBBIE TRILLING
• Producer: VELAZQUEZ BONETTO
• A JustVirtual Film – Machinimatography & Editing: GARY HAZLITT

THE FULL 44 MINUTE EXPERIENCE EMBEDDED AS A YOUTUBE PLAYLIST BELOW – ENJOY.

Features songs: In the Flesh, The Thin Ice, Mother, Young Lust, One of My Turns, The Trial, Goodbye Cruel World, Is there Anybody Out There and an original piece by JUNIVERS STOCKHOLM & JOSINA BURGESS “Break Those Walls”

Filmed & Edited: GARY HAZLITT
© JustVirtual.com 2008

[youtube]http://www.youtube.com/watch?v=hMnseuxcCmA[/youtube]

I have noticed that this blog is turning into mostly things I have created in Second Life or close friends, not a bad thing I suppose as long as those creations are worth singing about. I believe this one certainly is. I was lucky to work with Richard James Allen and Karen Pearlman (of Physical TV) who are the drivers behind an ‘idea’ called Thursday’s Fictions. This idea has been manifest in film, book, theatre and my task was to be the designer, producer, builder etc: in Second Life. It was only a small project compared with many of the multi sim creations I have done and are currently working on, but it excelled in being a worthy, experimental, artistic and aesthetic statement. It fell strongly into something I call Story Environments – spaces that have narrative embedded in them at varying degrees, more on that later.

The basic premise of the story is a woman who lives for one day only is trying to take her most valued creative possession (her dancers in a trunk she carries with her) between various reincarnations. There is more to it than that of course and the themes of death, love, life, mind, body, spirit all intermingle to create a fascinating pot pourii of philosophy, psychology and self awareness.

My challenge was to find appropriateness in Second Life which is itself an allegory of the themes of the piece from the outset. In other words, as I mentioned in this panel interview on SLCN.tv, (yes I talk!), SL is a space that is already routed in parallel existance, new incarnation and so on. It was about trying to find something that was different enough from quite a few existing ‘spiritual’ areas in SL but also providing links back to ‘real world’ perceptions of spiritual architecture.

I haven’t time in this blog post to go into vast detail but to say the build was done very rapidly and I worked iteratively with the writers (that included script consultant Rock Sonic – SL name) who are all relatively new to the true creative potential of this world. Some of the techniques used to deliver the narrative elements included invisible sensors that talked to you randomly, spirit ‘spheres’ that whisper as they pass through you, moving and still texts of various forms on the walls, objects and nature that chats residual and direct thoughts, sound and embedded gate-keeper questions.

There are effectively two longer form experiences at the moment. Purgatory, a series of halls and alcoves exploring a range of ideas mostly routed in one word ‘choice’. What life to go to next, what to take, decide what happened in the previous one, choose a state of mind and so on. The second experience is one life you inhabit, the ‘fractured’ mind of one of the characters. For the latter I created something that was slightly unnerving and disorientating yet also welcoming and familiar. It was loosely based on the sets of the film but I injected some play and elements of confusion. Go see and you will understand. The first main area purgatory is populated by Richard’s a range of texts, my favourite being the ‘self-destructive’ lines (in the floating spirits in the main hall) from his book Kamikaze Mind. I also wanted Purgatory to show how music, sound and visual effects, text, signs, places to explore and architecture create a new kind of experience in SL that becomes very cinematic. There were many compromises that had to be taken but happily they are all easily overcome in future experiences I will create in this and many other properties. I/we also wanted this experience to be as social as possible. In a full 3D social space anything that doesn’t allow a shared user journey through it is doomed so it has been great watching couples and small groups exploring.

There are many more elements planned for this ‘idea’ of Richards and these will include another 6 or 7 more life journeys that will attempt to cover a broader spectrum of the ‘human drama’. To go to this experience now here is a link to the starting grove – SLURL.

Posted by © Gary Hazlitt from inside Second Life