A quick exploration of some of my old builds which may not be there much longer! Using the Space Navigator and running Windlight in Day cycle mode (the sun and moon take a minute or two to do a full rotation)  to produce lots of moving shadows across the landscapes, people and builds. Rather than just show shadows I was keen to tie some ‘psych trance’ music into fast moving space navigator footage hence the constant movement – all shots took into account the timing with the shadows too.

The whole process was about 1 hour of capture, 1.5 hour edit and 2 hours on music track. Music was composed on Logic Pro mostly using Spectrasonics Omnisphere plug-in software ‘processor-eating’ synth.

I had access to a top end NVidia GTX280 high spec graphics card and quad processor machin so I put all SL graphics settings at max for once! The video was captured at PAL resolution using Fraps and the raw files edited using Adobe Premiere.

To have a go at this yourself make sure you have a top flight graphics card from NVidia or ATI and then download the Shadow Viewer client from Kirsten here or I believe a more recent one (that I used) from Boy Lane here. I am not sure of the widespread use of shadows given the grunt your computer needs to handle this, windlight, voice on top of all the usual networking issues – but for those with computer horsepower it definitely brings the place to life.

Published & created under creative commons – attribution, non-commercial, non-derivative, 23 May 2009 in Sydney, Australia

My Second Life sim builds included: Esperance (AFTRS), ABC Island, Melbourne Laneways, Thursdays Fictions, Deakin, The Pond and others. (I would have loved to show some more commercial & arty builds but non-disclosure and all that!)

I put together this little mash-up of cool sims, avatars and very nice animations. I may use these concepts in collaborations with dancers coming up too.

“Nataraja is both the destroyer and the creator of the universe. He dances away the destruction of a world of illusion followed by the creation of a world of enlightenment.”

I recommend you also go to the YouTube site and see the high def version – it is worth it!

Second Life – THE GREAT DANCE “Myth of Creation through Avatar Dance” A FILM BY GARY HAZLITT (all choreography and avatars played by Gary Hazlitt)

Machinimatography, Music & Editing © GARY HAYES 2008.

If you want even better quality and hear the ‘cool’ music in stereo then download (medium rez) 64MB MP4 from here

SPECIAL THANKS TO:

• Bettina Tizzy’s NPRIL npirl.blogspot.com & Alpha Auer for locations inspiration
• Animations (some): Sine Wave & Abramination
• Avatars (some): Grendel’s Children, June Dion
• Music: Spectrasonic’s Omnisphere & Logic. Specially composed GARY HAYES

UPDATE: This video also premiered at Moves09, one of the leading Dance/Film festivals in UK in April and featured for 3 months in the Second Life, Linden Lab Machinima Showcase site.

OH AND MACBETH

Also threw together this nice video of a sim creation I was involved with very early on but was since developed by the folk in the credits after the video.

A ‘Space Navigator’ Machinima and Music by Gary Hayes. Filmed and edited by Gary Hayes.

(Note: This film does not demonstrate the many interactive elements, social intentions or literary integration. Please visit the island to see those first ‘virtual’ hand.)

A medium resolution (98MB MP4) download is available here.

Macbeth in Second Life Credits. Guide & credits here

SLURL – http://slurl.com/secondlife/Macbeth/44/54/54

A collaboration by Angela Thomas, Kate Richards and Kerreen Ely-Harper, from an original idea by Kerreen Ely-Harper.

• Producer: Kate RIchards (Nini Dubrovna)
• Director: Kereen Ely-Harper (Dorothy Porta)
• Virtual World Content Designer: Angela Thomas (Anya Ixchel)
• SL Design Consultant: Adam Nash (Adam Ramona)

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

Initial stages of this project were mentored and developed through the Laboratory for Advanced Media Production (LAMP) at Australian Film TV and Radio School (AFTRS).

This project has been funded and built by the New Media Consortium

NMC Team:
Larry Johnson (Larry Pixel)
Alan Levine (CDB Barkley)
Rachel Smith (Ninmah Ash)
NMC Second Life Building Team:
Chris Holden (CJ Carnot)
Beth Satchjen (Stella Costello)

Voiceover Actors:
Maggie Blinco
Boris Brkic
Christopher Morris
Ophelia Of The Spirits
Alice Parkinson
Evelyn Parsonage
Recorded at Megaphone Studios
Engineer: Shane Fahey

Additional thanks to:
Larry Johnson
Therese Fingelton
Gary Hayes
Jeff Wegener
Ian Waddely
Nick Noakes

and a reminder of what it was like in its opening glory

Some creation details for those who like that kind of stuff: I used the wonderful space navigator for nearly all the ‘tracking/pan/crane/dolly’ type shots combined with fraps PAL capture, then converted using Canopus Pro 3 to PAL Quicktime DVs for a final edit in Final Cut Pro. A final save out to DV at same resolution and converts down to MP4s for online distribution. The whole process, capture, processing, editing took just over six hours – I know, I am slacking! The builds and sim terraforms took significantly longer (!) but the music a quick 35 minutes in two single takes, so excuse a few ‘bum’ notes!

A Second Life ‘Windlight’ Machinima, Filmed and Edited by GARY HAZLITT

Higher rez 95MB MP4 640/480 download available here.

Steinway Grand Piano and Classical Guitar improvisations both performed, in one take, by GARY HAYES

All featured sim builds and terraforms created and designed by GARY HAZLITT (some unamed builds still in development)

Gary’s builds or sim creations featured include: Esperance, The Pond, ABC Island, Cog Island, Marni, Thursday’s Fictions, Melbourne Laneways and others.

A Just Virtual Video Production © Gary Hazlitt/Hayes 2007

“A machinima by Gary Hazlitt based on and using as background, the great song “Haunted” by Poe. Special thanks to the creators and inhabitants of City of Lost Angels, Liquid Heat and Midian City sims, you are wonderful people. Avatanimation, filming and editing by Gary Hazlitt. A JustVirtual Production © Gary Hazlitt 2007″

Posted by Gary Hazlitt from inside Second Life © 2007

• Playing mp3 file hotel california (by Multimedia Center Windows LiveWriter Plugin)

Another Gary, a bio one , managed to take over four hundred images plus hours and hours of sound so I could recreate what it is like to be out there, with you folk in one of your most popular cities. Umm very cramped I must say. Anyway as you can see below it generated lots of Second Life press interest and it was fun creating a few token, Second Life not possible in real life elements.

Here’s a SLURL too. and a load of links…

SL News – Australian city Melbourne Laneways comes alive in SL

Australia SL News Source SLOZ – Virtual Melbourne has arrived

Shhhhhhhh – melbourne laneways in second life. NOOOOOOOO

Second Life Insider – Melbourne Laneways comes to life at ABC Island

Victorian Government – Victoria – Would your Business benefit from a Second Life?

TheProjectFactory – Melbourne Laneways Come to Life for Multimedia Victoria

Boxxet Second Life – Melbourne Laneways comes to Life

Multimedia Victoria – Virtual Worlds (Melbourne Laneways Case Study)

GDay World – Melbourne Laneways in SL

Mal Burns Annex – Melbourne Laneways Comes to Life

Posted by Gary Hazlitt from inworld © 2007

Listening to unforgiven (RealPlayer Windows LiveWriter WordPress Plugin)

[youtube]http://www.youtube.com/watch?v=hMnseuxcCmA[/youtube]

I have noticed that this blog is turning into mostly things I have created in Second Life or close friends, not a bad thing I suppose as long as those creations are worth singing about. I believe this one certainly is. I was lucky to work with Richard James Allen and Karen Pearlman (of Physical TV) who are the drivers behind an ‘idea’ called Thursday’s Fictions. This idea has been manifest in film, book, theatre and my task was to be the designer, producer, builder etc: in Second Life. It was only a small project compared with many of the multi sim creations I have done and are currently working on, but it excelled in being a worthy, experimental, artistic and aesthetic statement. It fell strongly into something I call Story Environments – spaces that have narrative embedded in them at varying degrees, more on that later.

The basic premise of the story is a woman who lives for one day only is trying to take her most valued creative possession (her dancers in a trunk she carries with her) between various reincarnations. There is more to it than that of course and the themes of death, love, life, mind, body, spirit all intermingle to create a fascinating pot pourii of philosophy, psychology and self awareness.

My challenge was to find appropriateness in Second Life which is itself an allegory of the themes of the piece from the outset. In other words, as I mentioned in this panel interview on SLCN.tv, (yes I talk!), SL is a space that is already routed in parallel existance, new incarnation and so on. It was about trying to find something that was different enough from quite a few existing ‘spiritual’ areas in SL but also providing links back to ‘real world’ perceptions of spiritual architecture.

I haven’t time in this blog post to go into vast detail but to say the build was done very rapidly and I worked iteratively with the writers (that included script consultant Rock Sonic – SL name) who are all relatively new to the true creative potential of this world. Some of the techniques used to deliver the narrative elements included invisible sensors that talked to you randomly, spirit ‘spheres’ that whisper as they pass through you, moving and still texts of various forms on the walls, objects and nature that chats residual and direct thoughts, sound and embedded gate-keeper questions.

There are effectively two longer form experiences at the moment. Purgatory, a series of halls and alcoves exploring a range of ideas mostly routed in one word ‘choice’. What life to go to next, what to take, decide what happened in the previous one, choose a state of mind and so on. The second experience is one life you inhabit, the ‘fractured’ mind of one of the characters. For the latter I created something that was slightly unnerving and disorientating yet also welcoming and familiar. It was loosely based on the sets of the film but I injected some play and elements of confusion. Go see and you will understand. The first main area purgatory is populated by Richard’s a range of texts, my favourite being the ‘self-destructive’ lines (in the floating spirits in the main hall) from his book Kamikaze Mind. I also wanted Purgatory to show how music, sound and visual effects, text, signs, places to explore and architecture create a new kind of experience in SL that becomes very cinematic. There were many compromises that had to be taken but happily they are all easily overcome in future experiences I will create in this and many other properties. I/we also wanted this experience to be as social as possible. In a full 3D social space anything that doesn’t allow a shared user journey through it is doomed so it has been great watching couples and small groups exploring.

There are many more elements planned for this ‘idea’ of Richards and these will include another 6 or 7 more life journeys that will attempt to cover a broader spectrum of the ‘human drama’. To go to this experience now here is a link to the starting grove – SLURL.

Posted by © Gary Hazlitt from inside Second Life

The Pond Bong Overload 07, originally uploaded by Gary Hayes.

When I built the Pond islands over 6 months ago I intended this area to be the most organic of all the spaces on the then three Pond islands. This area was also designed to provide a gateway to the outback and Uluru and the juxtaposition of busy bar, social space and real open space (a whole sim for the outback) was planned. That zen like combination is important, psychologically we like to be on the edge of wilderness – facing open sea, deserts and mountains. The call of the wild. Some other parts of the islands were not rich, social and detailed (due to other forces) and that is reflected in how popular they are. Anyway.

The bar itself was roughly designed on my own memories of Queenslander and Western Australia shacks and bars in the outback. I had to use some Western USA textures on the walls etc: due to time contraints and the whole thing took about a day to do – plus a few extra hours later on the internal details like the beer pumps and original seating.

I noticed after a couple of weeks that people were also gathering outside the bar in front of the Pond so I quickly added a fire, bbq and seating plus extra flooring. This has now become one of the busiest 4000sqm areas in SL. The area at launch was supposed to have live bands, singers, streamed music and so on. These are still being planned but it is slow to materialise on a commercial sim, as it costs real money plus a bunch of legals – yet I am amazed that avies still gather and meet here in such large numbers. Less to be entertained but more to socialise, get away from the less aesthetically designed sims and gather before heading off elsewhere.

The other night we had over 60 avies all gathered in this small area after a TV programme in Australia. The top picture is a shot I took of that. Below are other images that give a feel for what takes place here including floods, small battles and endless winged flirting. Quite a few folk are already creating deep stories and role playing in this space which is great and there are many secret places for the initiated, the pash room for one

Posted by Gary Hazlitt from inside Second Life

Second Life Gary’s Sim Marni 10, originally uploaded by Gary Hayes.

I have been so busy since October last year that I have completely forgotten to mention the island I bought. I did the sums and it actually worked out way cheaper for me to buy and island and divide it into four with three other friends. So Marni was born. Marni is an aboriginal word meaning welcome.

I terraformed the island with a large central and shared mountain space with 80m waterfalls with rivers and smaller hills separating the four quadrants. It is a very tranquil area and the images here are some building designs I did over 6 months ago! I hope to get time to finish some of them and add some more architecture in the ‘Sci-Fi Persian’ style.

The other three folk on the island are a wonderful immersive sound sculpture artist, a designer with his own company and an SL entrepreneur. I am sure they won’t mind you looking around.

Please pop along and have a look around. I am unlikely to be there most of the time, but you never know. In any event you are very Marni (Welcome). Heres the SLURL

Posted by Gary Hazlitt from Inside Second Life

Sistine Chapel in Second Life 02, originally uploaded by Gary Hayes.

I had a day to relax and travel the grid to look at a few things. Luckily this day saw the opening of the Sistine chapel on the grid. I took a range of pictures that are getting lots of hits on flickr. I spoke to the builder Stan Frangible who told me that the whole thing was done in a couple of weeks and that all the images are trawled from the web. The hardest thing he said was actually the floor tiles as hardly anyone photographed that and put them on the web. The curved alcoves (lunettes) at the top were also very hard to recreate, he said. Bret Rydell the owner of the island, said they were in respect of the space start to operate a terms and conditions entry system so the sanctity of the area is not ruined by griefer types. Here is a description from Wikipedia of this spiritual and decorative space.

“The Sistine Chapel (Italian: Cappella Sistina) is a chapel in the Apostolic Palace, the official residence of the Pope, in the Vatican City. Its fame rests on its architecture, which evokes Solomon’s Temple of the Old Testament, its decoration, frescoed throughout by the greatest Renaissance artists, including Michelangelo whose ceiling is legendary, and its purpose, as a site of papal religious and functionary activity, notably the conclave, at which a new Pope is selected.”